The basic premise for writing this work were massive and very negative reviews of almost all the masters for the restoration and tuning the piano, made during the discussion of the proposed method to the Forum "Classic". Some of these reviews were relatively constructive and justified theoretically, many of my colleagues did not accept the proposed method, in principle, not bothering some explanations on this issue, some masters took my attempts to revive the non-repairable "instruments, as an attempt to undermine his own authority, in pushing the debate in the first place is not a theoretical justification, no experience in this direction and ambitions of a past master of his craft, which gave the debate a few non-structural in nature, transforming it into the plane of personal relationships.

I consider it necessary also to note that in discussing this issue, I greatly improve my knowledge in this area. For example, I did not know what hole splitting in a pin block  reamed for not chopping axes, and at an angle of about 8 degrees up from her that initially, until the seat is not worn out, due to the expansion of forces acting on the pin, there is some (admittedly minor ) force, which "drown" it and improves its functional qualities. According to numerous comments and links I've learned a lot of material for the manufacture and operation of the piano, which made it possible to abandon some of their beliefs and reasoning, which I took as an axiom is not fully owning the necessary theoretical knowledge and practical skills, for which he is grateful for their opponents.

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