The
basic premise for writing this work were massive and very negative reviews of
almost all the masters for the restoration and tuning the piano, made during
the discussion of the proposed method to the Forum "Classic". Some of
these reviews were relatively constructive and justified theoretically, many of
my colleagues did not accept the proposed method, in principle, not bothering
some explanations on this issue, some masters took my attempts to revive the
non-repairable "instruments, as an attempt to undermine his own authority,
in pushing the debate in the first place is not a theoretical justification, no
experience in this direction and ambitions of a past master of his craft, which
gave the debate a few non-structural in nature, transforming it into the plane
of personal relationships.
...
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